8 Things Nobody Wants To Admit About MCU Spider-Man

3. The Uncle Ben Conundrum

Spider-Man Uncle Ben
Sony Pictures Releasing

Up until recently, there were a few constants audiences could expect in comic book movies. Every Batman film would feature Thomas and Martha Wayne being murdered in crime alley, leading to an artistic shot of her pearls cascading across the concrete; every hero would agonise over whether or not they should reveal their identity to a loved one, and, when it came to Spider-Man, Uncle Ben simply had to die.

Now, it's important to put all of this into context. The MCU's Parker had recently followed The Amazing Spider-Man series of films that, save for the chemistry shared between leads Andrew Garfield and Emma Stone, were pretty forgettable. On top of the rush to ape the MCU and create a new "Spider-Verse", the reboot was also criticised for retreading familiar ground, showcasing the death of Uncle Ben as Spidey confronts a villain close to his family, as had been the case in 2002's Spider-Man.

It was with these films in mind that Marvel and Sony opted to ignore Uncle Ben completely, but not without cost. Uncle Ben's death is a pivotal moment in Spider-Man's origin; without his famous words - that with great power, must also come great responsibility - or Peter's selfishness resulting in his death, the character loses something important.

This isn't to say that Marvel HAD to show Uncle Ben's death in their rebooted Spider-Man, but rather that it becomes a problem once you consider Peter's age. It makes no sense to gloss over such a tragic and indeed defining moment in the character's life, even if a similar function is performed by Tony Stark, when he's just 16.

Had Marvel opted to depict an older Spider-Man though, one more in line with the version portrayed in, say, Insomniac's 2018 game, then it would've made more sense to have Uncle Ben as a distant presence. As things currently stand though, Ben's absence is just jarring.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.