The Dark Knight Rises: 20 Blunders in Chris Nolan’s Trilogy

16. The Batsuit

Don€™t think for a second that the suit gets away scot-free. For me, here€™s where Nolan really starts losing his grip on the soul of the source. Imagine Raimi had decided to replace Spiderman€™s spandex-style suit with heavy, armoured rubber, which limited the movements of its wearer. He can no longer twist and turn, which is his trademark, he can only stand and trade blows with the Green Goblin. There would be absolute ructions. So why is this acceptable for Batman? Think back to the origin of the character; he spends many years training (15 in comic lore, 7 in the movie€just so Nolan can say it was different) and in that time he learns to embrace his humanity and incorporate it into his combat mentality. Yet Nolan€™s version arrives at a much different conclusion than what I would have hoped: Comic book Batman prefers mobility in order to avoid damage; Nolan€™s Batman wears armour to absorb it. No doubt you think I€™m nit picking, but I actually see the design of the suit as a huge display of what the character is really made of. Nolan€™s Batman knows he€™ll get hit and as such he attempts to pre-emptively protect himself. He€™s incapable essentially, compared to comic book Batman, who€™s so justifiably confident in his ability that he doesn€™t need the protection. This is why for me and countless others, Nolan€™s suit sucks. Why couldn€™t it have just been thick grey spandex? I don€™t see the big deal. Are audiences that turned off by comic book iconography? If that€™s the case, why was there even a Batman movie in the first place?
Contributor
Contributor

Stuart believes that the pen is mightier than the sword, but still he insists on using a keyboard.