10 Awesome Modern Film Performances You Totally Didn’t See Coming

3. Robin Williams €“ One Hour Photo (2002)

Famed across the land for being an absolutely uncontrollable screw-ball, Williams made his name as a pseudo-serious actor before turning himself into a family comedy legend throughout the 80€™s and 90€™s. Even when looking back through his more critically acclaimed performances, Williams is generally paired with clear-cut, positively aligned characters, like Sean McGuire from Good Will Hunting for example; a man hiding deep wells of emotion, but a good guy with a warm heart. And it went that way for years. So when I saw sat down to One Hour Photo, I was intrigued, if a little sceptical. Williams plays Sy Parish, a lonely Photo Processing Manager at a chain supermarket who becomes obsessed with a family whose photos he has developed for years. It€™s such an atypical part for Williams to choose that it almost demands to be watched, if nothing else just to see what this zany family-comedy regular will do with such an ambiguous role. And what he does is as astonishing and surprising as it is dramatically succulent. Delivering a completely and uncharacteristically restrained performance, you€™ll forget within the first five minutes that this is actually Williams you€™re watching. He€™s both skin-crawlingly creepy, yet somehow manages to tug the heart strings in presenting a character who€™s desperate loneliness is driving him to insanity. Later that year, Williams featured as a serial killer in the Pacino vehicle Insomnia - a performance that maybe matched Sy Parrish for unexpected creepiness €“ but after One Hour Photo, his success in Insomnia was perhaps to be expected.
 
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Stuart believes that the pen is mightier than the sword, but still he insists on using a keyboard.