10 Directors That Should Never Have Complete Creative Control

4. Wes Anderson

Wes Anderson has always had style, but there was a time when his films had substance to match. The Grand Budapest Hotel was a beautiful film, but the story felt like a series of wacky sketches piled on top of each other, bookended with a pretentious story-within-a-story-within-a-story narrative structure. The film was beloved critically and won heaps of awards, so Wes Anderson will probably continue down the path he€™s already on. However, if he opened up to a collaboration that took away complete creative control and forced him to focus on story as much as stylishness, Anderson could begin working on a higher plane than he currently is. Anderson€™s obsession with costumes, settings and framing deserves all the praise that it gets, but if he could back up his undeniable skill with a strong, substantial story, he could better himself even more. He couldn€™t get better at doing what he does, but by relinquishing creative control, he could try something utterly disparate to his CV so far. Who wouldn€™t want to see that?
Contributor
Contributor

Film & TV journo. Quite tall.