10 Grisly Horror Movies With Surprisingly Beautiful Music Scores

9. Maniac (2012 Remake)

The Midnight Meat Train
IFC Midnight

Composer: Rob

Listen To: "Haunted Piano"

In 1979, director William Lustig unleashed one of the most truthfully grimy depictions of New York on the world with Maniac. The movie, starring an always unkempt Joe Spinell (the very definition of "schlump"), followed a psychopath with mommy issues as he traversed the sordid streets of The Big Apple in search of women to scalp for his menagerie of mannequins.

Understandably, many didn't take too well to such a sick slice of grindhouse and its uncomfortably grisly violence (that shotgun to the head for one), unsavory tone and irredeemable protagonist earned it the dreaded X rating... until it was filed down to a version that the powers-that-be found to be more... "savory"

Jay Chattaway, the original film's composer, utilized a combination of ominous and foreboding sounds to reinforce the voyeuristic qualities of Frank Zito as he wandered the streets for victims. While several songs maintain a dream-like quality to them (due in part to Frank's fractured psyche), rarely are such tracks connected by actual harmonies (though Cry For Mother is a standout).

For the 2012 remake however, French composer Robin Coudert (who simply goes by "Rob") took the filthy soundscape estalbished by Chattaway and added a welcome dose of blissful euphony.

As the film is told entirely from Frank's POV (now played by a wide-eyed Elijah Wood), the music better conveys the breakage of Frank's sinister mind as it fluctuates between calm surreality (like Chattaway's original theme) and violent rage.

While the content is as uncomfortable as ever (thanks in large part to the gruesome practical effects and a literally unflinching perspective), the music remains emotionally engaging as it covers a spectrum of horror and sadness by utilizing sounds both new and old to create something wholly elegant and unique. Of particular note is the elegiac "Haunted Piano"; a song which subtly slides between the bliss of pursuer and dejection of prey.

Contributor

Greetings from The Yentz! The Warrior of the Wasteland! The Ayatollah of Rock and Rolla! I live, eat and breathe film... And videogames... And comics... And, well... Anything that might be considered "nerd related". I consider myself the voice against that of mainstream cinema. While critics might praise the ostentatious drivel supplied by Oscar-pandering films, I enjoy directing attention to less popular gems in hopes of educating people on incredible film experiences that may not be backed by massive studios, nominations and a star-studded cast. Outside of WhatCulture!, I write for Movieweb, assisted BlueCat as a script analyst, have worked on films from the east coast to the west and continue to write, critique and direct here in the lovable land of ol' LA. I hope you enjoy reading my diatribes as much as I enjoy writing them.