Man On Wire makes no mention of the 9/11 attacks, instead keeping its focus entirely on Philippe Petit's high-wire walks, particularly his crossing of the Twin Towers in 1974. Naturally, this would make the film seem like its only real relation to the 9/11 attacks is the setting, but in fact James Marsh's Oscar winning documentary serves as some essential contextual viewing. Described as "the artistic crime of the century", Petit's 110 stories-high tightrope walk between the Towers is undeniable spectacle that the film makes intensely personal, highlighting one person's drive. It's a brilliant film that highlights to logistics of such an achievement (simply getting to the roof of the Towers was a feat in itself). Marsh has stated he views the film as a gift to the people of New York, giving them a piece of the Towers' legacy that isn't dominated by 9/11. In that regard the film couldn't be more relevant, showing how the World Trade Center had long stood iconic, drawing awe for decades and emphasising just why their smoking image instills so much dread.
