10 Most Inventive Shots in Cinema History

5. Jake Lammotta€™s P.O.V of Sugar Ray Robinson in Raging Bull (1980)

http://youtu.be/5wwItkoapuA Scorsese gets another mention in this list for creating what I believe to be one of the most effective utilizations of the Trombone shot I€™ve ever seen outside of a Hitchcock picture. You can jump to it at 1:18 in the video above, but do watch the whole scene again; you won€™t regret it. Why It Was Inventive: In my view, you can compare Scorsese to Tarantino. Both are influenced heavily by the visionaries that came before them and both borrow heavily from convention, but both use said convention in vibrantly unique ways to achieve something completely their own. This wasn€™t the first time the trombone shot had been used, but I€™d never seen it used quite like this until I smacked eyes on Raging Bull. The rest of this sequence is made up of fast, frenetic cuts but for eleven seconds, when Lamotta decides to take Robinson€™s full beating, we become him in what might be one of the greatest P.O.V shots of all time. I have a friend who used to box, and he told me that when you€™re in the ring, time seems to slow down and the spectators seem to be a million miles away, like you€™re in a bubble containing only you and your opponent. If you ask me, this shot achieves that feeling perfectly and with it Scorsese once again reaffirms his cinematic genius.
 
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Stuart believes that the pen is mightier than the sword, but still he insists on using a keyboard.