8. Simon - Session 9 (2001)
I live in the weak and the wounded Brad Andersons underrated chiller is set in the decaying remains of the real life Danvers State Hospital. Thats the Massachusetts lunatic asylum that inspired H.P. Lovecrafts Arkham sanatorium, which in turn gave its name and evil vibes to Batmans Arkham Asylum. Quite a pedigree - and Session 9 more than lives up it. A group of asbestos removal men are sent to the abandoned hospital to well, remove asbestos, but hear spooky noises and whispers coming from the tunnels beneath the estate. When one of them men recovers a box containing tapes of the hypnotherapy sessions conducted with one of the more bizarre patients, a murderer with dissociative identity disorder, things begin to get ugly really quickly. So far, so predictable but the genius of Session 9 isnt in the story being told, but the things that arent said. Everything appears askew, curdled: the angles are slightly off, the blocking of each scene is weirdly placed, the banter between the workmen is tense and forced, the building and its environs are both claustrophobic and open plan at the same time. And then theres those tapes Mary Hobbes killed her entire family when she was fourteen years old. One persona, the Princess, is sweet and childlike while another, Billy, tries to protect her from remembering things that might distress her, like a big brother. To do so, he lives in the eyes - he sees everything, and then choose what to tell the Princess. Thats why Billys the only one who knows about Simon Simon, who scares Billy half to death, and who is inevitably responsible for what happens to the workmen at the abandoned asylum. The jurys out as to whether Simon is even an individual entity at all. One theory has it that its just the name that Mary gave to her homicidal impulse, and that a separate homicidal impulse causes the deaths at the site but then why does it talk in Simons voice? A stylistic conceit or is Simon possessing him as he possessed little Mary Hobbes? Whatever the case, his bruised, slightly upper class voice on that final tape describing the horror he put Mary through is harrowing as all hell, and thats nothing compared to the events he orchestrates in the film itself. Poor, poor Peter Mullan.
Jack Morrell
Contributor
Professional writer, punk werewolf and nesting place for starfish. Obsessed with squid, spirals and story. I publish short weird fiction online at desincarne.com, and tweet nonsense under the name Jack The Bodiless. You can follow me all you like, just don't touch my stuff.
See more from
Jack