10 Movie Sequels Way Better Than They Had Any Right To Be

9. Fast Five

Fast Five The Rock
Universal

Played out though it may be to joke about how The Fast and the Furious franchise went from spotlighting a crew of crooks stealing DVD-TV combis to them going to space and becoming secret agents, the trajectory of this series is truly deranged. The most recent efforts are devoid of peril or thrills, and come across instead as a place for various Hollywood actors to star as their most marketable selves. Worse still, since 2017's The Fate of the Furious - where The Rock physically realigns the trajectory of an oncoming torpedo with his bare muscles - the series has gotten in on the joke, embracing the outlandish with a nod and a wink, and thinking that's enough to get away with murder.

There was a point in time when Fast and Furious was sincere though. Beyond the endearing 2000s-ness of the first three efforts, the film that really announced Fast and Furious as a leading action franchise was 2011's Fast Five. Directed by Justin Lin, Fast Five ended up becoming one of the best heist thrillers this side of Steven Sodebergh's Ocean's trilogy, tapping into the emotional, familia and Corona-laden crux of the initial films and giving it a major action upgrade.

The step up in quality between 2009's Fast & Furious and 2011's Fast Five is kind of staggering. While the preceding effort was a functional but slightly stale cops n' crooks action film, Fast Five marshalled the human drama of Dom (Vin Diesel) and Brian's (Paul Walker) story and put them in a fight for their future against a new-age Terminator in Dwayne Johnson's Agent Hobbs. The series has all but sanded the edges off of Hobb's character now, but his debut is still frenetic and punchy, with Johnson the perfect actor to embody the sudden and explosive escalation of the series.

Fast Five and Furious 6 remain franchise high points, but the emergence of that iconic and definitive era was a total surprise.

Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.