10 Reasons Mad Max: Fury Road Is The Weirdest Blockbuster Ever

6. The Main Setpiece Is The Whole Movie

It seems like Miller took a look at modern blockbuster cinema prior to making Fury Road, only to drop the final film as a lesson to the current crop of blockbuster moviemakers. Miller has confessed to changing his own directorial style to fit in with the times - mostly that was in terms of shot length and modern effects techniques - but he's apparently altered his storytelling style for Fury Road, as well. Forgetting the slightly more plot-driven entries in the Mad Max franchise, Fury Road is a great example of plot-light contemporary action cinema. The film is essentially one two-hour-long action sequence, almost as though Miller looked at the state of the modern action movie and decided to make a gleeful borderline parody of it. The result is ravishing and absolutely exhilarating cinema, making no pretense at trying to built a heavy plot around the action that audiences seem to want. Instead, the action virtually is the plot.
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Lover of film, writer of words, pretentious beyond belief. Thinks Scorsese and Kubrick are the kings of cinema, but PT Anderson and David Fincher are the dashing young princes. Follow Brogan on twitter if you can take shameless self-promotion: @BroganMorris1