10 Reasons Why The Found Footage Film Genre Sucks

5. Limited Story Telling Ability

Let€™s face it, there are only so many stories you can tell via found footage. Haunted houses (Paranormal Activity), paranormal investigations (Blair Witch), and catastrophic events over short periods of time (Cloverfield) are the big ones. The stories are limited because the films don€™t work unless you€™re able to explain why someone would be filming the situation. And after a while, it seems like we€™ve seen all of these stories before. The scares themselves might not be identical, but the overall beats and movements of the films are pretty familiar. It€™s difficult to develop a large, intricate plot or introduce an ensemble of characters within the confines of found-footage. Nobody€™s making a found footage Godfather anytime soon. There€™s simply too much to do while still making sure the €˜first person€™ camera work makes sense. Of all the problems on this list, this one is perhaps the most fixable. It just takes some creative writing and directing to get around it. Chronicle is a good example of how a found footage film can be stretched to occasionally epic proportions. It doesn€™t always work well, but the blueprint is there. It€™ll just take some guts and brains for someone to make it happen.
Contributor
Contributor

David Braga lives in Boston, MA, where he watches movies, football, and enjoys a healthy amount of beer. It's a tough life, but someone has to live it.