10 Scariest Horror Movie Opening Credits

4. Klute

Klute Opening Credits
Warner Bros.

Alan J. Pakula's Klute occupies that space between horror and thriller, although I would argue it is more than chilling enough to qualify for this list. The film, which released in 1971 and earned Jane Fonda an Academy Award, is paranoia undistilled - a remarkable reflection of surveillance anxieties that lives in the spaces between our everyday existence.

Pakula was famed for broaching this exact kind of subject matter - Klute is part one of the director's unofficial "Paranoia Trilogy", with The Parallax View and All the President's Men the remaining two entries - but he perfected it here, leaving a palpable sense of incursion from the off.

Part of what makes Klute's paranoia so compelling is its setting and focus. Fonda's Brie lives on the top floor of a city apartment - not necessarily an urban fortress, but a home that feels secure - and Pakula immediately sets about exposing each of the ways that sacred space can be intruded upon. It could be a window, a skylight, a phonecall, electronic surveillance - maybe even the fabric of the building itself hides a passage to forces unseen. Michael Small's score for Klute - possibly the scariest thing ever - binds it all together, a breathy, ethereal composition that feels like it's stalking us from outside the frame.

Klute evokes powerlessness in an extremely raw way, starting with Arthur Eckstein's opening credits, which focus on the main antagonist of the film listening to one of Brie's intimate phone calls - all while Small's music creeps along.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.