10 Scariest Uses Of Make-Up In Horror Movies
4. David’s Woodland Dream – An American Werewolf In London
Before he made 1981’s An American Werewolf In London, John Landis shot and/or penned two of the most acclaimed comedies of the era: National Lampoon’s Animal House and The Blues Brothers. Unsurprisingly, then, his first legitimate foray into horror (not counting 1973’s Schlock) also packed plenty of laughs, making it a seminal fusion of the two genres. Naturally, legendary make-up artist Rick Baker provides horrifying accentuations throughout, capitalizing fully on hero David Kessler’s turn from bull-headed American tourist into vicious werewolf.
Undoubtedly, it’s his post-werewolf attack woodland jump scare that outdoes the rest, as understated as it is. While recovering in hospital, David dreams that he’s nude and moving around a misty forest. After mauling a deer and running away fully clothed, he sees himself in the distance, laying in bed while his nurse (and love interest), Alex, tends to him.
Suddenly, the camera cuts to a close-up of David bearing large fangs and yellow eyes. It only lasts a couple of seconds, but its unanticipated and stark contrast to his usual demeanour is downright appalling. It’s no wonder why Landis and Baker reteamed two years later for Michael Jackson’s landmark Thriller music video.