10 Simple Fixes That Would Have Saved Star Wars: Rise Of Skywalker

10. The Emperor Has To Go

Star Wars Rise of Skywalker Emperor Rey
Lucasfilm

The Rise of Skywalker is a uniquely frustrating story, not just in the sense that it's a duff conclusion to the Sequel Trilogy, but because it kind of... sorta... breaks Star Wars as a whole?

The Emperor is the source of most of the film's most debilitating issues, literally from the first moment. "THE DEAD SPEAK" is top-tier ham but once it becomes clear that the character's return occurred off-screen (and in FORTNITE too, no less), the story enters free-fall. Kylo Ren tracks the Emperor to the Sith homeworld of Exogol using a Sith 'wayfinder' (the totally not-holocron-even-though-it-is MacGuffin he retrieves at the start), and dear old Palpatine promptly reveals that his latest scheme has been his endgame all along.

He kindly reveals to the audience that he 'made' Snoke, and that's meant literally. There's a tube of Snokes lying around... just because, and Palpatine then explains how he's been seducing Kylo to the dark side all along, mimicking the voices of Vader and Snoke. Also, he definitely has children now. And Rey's a Palpatine. We literally do not care at this point, clearly.

The problem with the Emperor in Episode IX is that he completely invalidates the entire Skywalker Saga. Not only does it not make a single lick of sense (why intentionally lose your Empire to lounge around for 30 years to create... another one?), it also invalidates Anakin Skywalker's sacrifice in Return of the Jedi, arguably the most important moment in the entire series.

Ultimately, the Emperor's return breaks the inner-logic of the Star Wars mythos. It renders decades of material inconsequential and also encourages The Rise of Skywalker's worst offence, back-pedalling on The Last Jedi's inspiring message - that anyone can be the hero of their own story, regardless of where they come from - to reduce Star Wars to a tale of inheritance between two families.

The galaxy far, far away has never felt smaller.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.