4. Network
Network was a jolting force to be reckoned with upon it's 1976 arrival. It's a spicy mix of social commentary, sharp criticisms of global capitalism, apathy en masse, and misconceived immortality. With a little trimming, a revival of Network could result in one of the most affecting films of our time.
Why We Need It: Some say Sidney Lumet's Paddy Chayefsky-scribed socioeconomic satire is overwrought and rambling. Nevertheless, Network was a filmic prophesy of what has come to be the Internet Age: a sensationalized, hyperbolic, money-obsessed society. It's a wordy, witty, wry criticism of a tired and overloaded, passive culture. There are few films begging for relevant resurrection such as this.
But With Who?: The formidable U.S. TV star Kerry Washington would fit snugly into Faye Dunaway's Oscar-winning role as Diane Christensen, the ratings-thirsty, cutthroat television programmer. The aging but dapper George Clooney would replace William Holden's midlife-crisis-addled Max Schumer. And the person to play Peter Finch's Howard Beale, the insane newscaster-turned-self-proclaimed prophet, is none other than the endlessly energetic Robin Williams--a man with a dramatic side that can deliver a monologue with captivating results.
The Spin: In the geo-political climate of the 21st century, all bets are off. And there's no better wordsmith and up-and-comer than In The Loop director, and TV's Veep creator and writer, Armando Iannucci to take the helm and pen the script. Society and politics are a mess and a half, and Ianucci brings out the satirical best in his actors, while faithfully espousing truth and humor.