100 Greatest Horror Movies Of All Time

6. Scream

Ghostface In Scream
Dimension Films

After the horror boon period of the late-70s and 80s, which brought the big three of Halloween, Friday The 13th, and A Nightmare On Elm Street, things had grown stale in U.S. horror by the mid-90s. It needed something to revitalise it; to breathe fresh life into its decaying corpse.

It needed… a slasher spoof from the guy who created Freddy Krueger and an unknown screenwriter!?

The satirical nature is only part of Scream’s genius: not only does the film know every trick and treat in the book, but so do its characters, giving this a wonderful meta-humour that allows it to riff on all that’s come before.

What else it does so well, though, and why it really works, is that it is itself a frightening, tense, and gory slasher movie. From the shocking opening, which sees Drew Barrymore killed off in fashion as hilarious as it is horrific, you know you’re in for a horror movie quite unlike any other, and Scream just keeps on delivering the goods.

Kevin Williamson’s script and Craven’s direction offer up genre subversions and deconstructions, married with sly humour, actual scares, and some fantastic character work. A pitch-perfect satire of the genre, but also a marvellous example of the form it mimics too.

[JH]

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WhatCulture's former COO, veteran writer and editor.

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WhatCulture's Head of Gaming.

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Josh has over 11 years of experience as a published writer, having worked nine of those years as a full-time content producer at WhatCulture. In that period he has created hundreds of articles, videos and podcast episodes for multiple WhatCulture channels, specialising in gaming, horror and film & TV. He now primarily works as a senior content producer and presenter on WhatCulture Gaming where he co-hosts the WhatCulture Gaming Podcast, a top 3 UK most listened to gaming podcast that he co-created in 2018. Over the years he has reviewed several high-profile gaming releases, covered industry events with on-site reporting, opined on breaking news, and even kicked off his interviewing career by chatting to childhood hero, Tommy Wiseau.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.

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NCTJ-qualified journalist. Most definitely not a racing driver. Drink too much tea; eat too much peanut butter; watch too much TV. Sadly only the latter paying off so far. A mix of wise-old man in a young man's body with a child-like wonder about him and a great otherworldly sensibility.

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Horror film junkie, burrito connoisseur, and serial cat stroker. WhatCulture's least favourite ginger.