5 Reasons To Ignore The Hate And Love Lawless
Uninspired by some of the reviews of John Hillcoat's prohibition Western? Here are the reasons you should ignore them...
This week Lawless landed at the Cannes Film Festival, and to my utter dismay and disbelief, it wasn't heralded as the great film I believed it to be. Critics seem almost equally split, judging by the reviews the film has gathered so far, some celebrating John Hillcoat's surprisingly slow-burning prohibition western, and others pointing out its flaws and lack of innovation. Picking through the reviews that awarded unfavourable scores, it's clear where the perceived problems lie, including muddled narrative and uneven pace and that afore-mentioned lack of innovation - but those are not opinions I can share. The pacing feels appropriate for the moon-shine soaked Bondurant community, the narrative more invested in the characters than in their actions (which of course sits at odds with the gangster flick elements) and the lack of innovation is of little consequence, as I will come to qualify. It is by no means a flawless film, with an unfortunate, but somewhat understandable lack of feminine balance (but then judging something in modern post-emancipation terms is a redundant idea anyway), and a few other less forgiveable blemishes, but I take issue personally with any review that slates the film in such ribald terms as the poorest scored reviews offered. And while I respect the opinions of all film fans and those who call themselves critics, it is my opinion that Lawless is one of the finest, and certainly one of the most enjoyable films of the year, and as it is one of those films that I feel deserves to be shared and enjoyed long after the screening ends, here I present my thoughts on why you should love Lawless as much as I did...