5 Reasons Why Danny Boyle's Trance Fails To Entrance

3. €œIf I€™m Not Me, Then Who The Hell Am I?€

Trance Central to the plot of Trance is Simon€™s amnesia, which inconveniently robs him of the knowledge of where exactly he hid the valuable painting he robbed. Memory loss is nothing new in the movies. Whether it€™s Drew Barrymore in 50 First Dates, Gregory Peck in Spellbound, Matt Damon in the Bourne movies, Harrison Ford in Regarding Henry or Goldie Hawn in Overboard, we€™ve been there, done that, had €œStop watching amnesia movies!€ tattooed somewhere prominent on our bodies. You know, like in that movie where Mike from Neighbours can€™t make new memories and leaves notes for himself? These movies have a predictable formula and Trance is no different. Typically, our protagonist will experience some sort of head injury or trauma and experience a form of retrograde amnesia where they can€™t remember events before their accident/injury and will undergo some form of personality change but they€™ll be able to function completely normally. They never forget how to tie their shoelaces or that social convention demands they wear trousers in public. It€™s always: €œWhere did I put that priceless painting?€ In Trance, James McAvoy is smacked in the head with the butt of a shotgun so hard he€™s knocked unconscious. That would probably kill him in reality or at least cause a depressed skull fracture and likely a cerebral haemorrhage. Then he gets HIT BY A CAR! And other than forgetting what he did with the stolen painting (oh, and a murder he committed€), HE SUFFERS NO REAL LASTING ILL EFFECTS! No months of rehab, no lasting damage. No one ever takes a smack to the head in a movie and ends up a drooling mess. Except for Harrison Ford in Regarding Henry who went €œfull retard.€ Often the hero will have some form of latent talent they€™ve forgotten that suddenly reasserts when they€™re in peril. Quite often they€™re a super assassin like Jason Bourne, Geena Davis in The Long Kiss Goodnight or the Governator in Total Recall. Towards the end of the film, they€™ll normally undergo another trauma or take a smack to the noggin that magically restores their memory leaving them a wiser, better person. Normally when confronted with their previous lives and misdeeds, the characters cling to the new, nicer, caring, sharing persona they€™ve created. And there lies one of the many problems with Trance. Turns out the only even remotely likable character in the film is a violent, jealous, wife-beating obsessive with a sexual fetish for depilated vulvas who€™s inspired to go on a kill-crazy rampage as soon as he starts to get his memory back. Which makes it kinda harder to sympathise with his plight. That and Danny Boyle€™s been trying to make idiots of his audience for the previous hour and a half.
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