50 Reasons Why Jack Nicholson Could Be The Greatest Living Actor

11. The Voice

Now gravelly with age, that slow, dry-voiced drawl is unmistakeable and has helped lend an array of memorable characters an air of distinction. http://www.youtube.com/watch?v=oKikZLRdJVE €”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€“

12. The Delivery

It helps to have the voice, but it's also advantageous to deliver lines with some finesse. The way Nicholson chews on his words makes even the most banal lines interesting... http://www.youtube.com/watch?v=hxKVdugfU-U €”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€“

13. Is Completely Independent

Thanks to his massive and extremely smart receipts based salary on Batman (an estimated $60 million), beginning in the 90's Nicholson has had the luxury to pick and choose his projects which means he can afford to wait until the ideal character part comes along. This would explain the four year gap between As Good As It Gets and The Pledge. Though maybe he ran out of cash when Anger Management came along.... €”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€”€“

14. Follows His Own Method

Although he experimented with The Method style of acting early on in his career Nicholson decided it wasn't for him. His own method allows room for a greater instinctual approach which embraces improvisation:
"If you get an impulse in a scene, no matter how wrong it seems, follow the impulse. It might be something and if it ain't - there's always take two!"
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15. Consistently Good

While Marlon Brando went off the rails and Robert De Niro and Al Pacino burnt out and became predictable in old age, Jack Nicholson remains consistently good and continues to surprise. Forgetting his somewhat maniac incarnations in the 1980s, the 1990s brought an array of scene stealers (A Few Good Men, Hoffa, The Crossing Guard, As Good As It Gets) while the 2000's brought intense character studies (The Pledge, About Schimdt and The Departed). If anything, Nicholson appears to improve with the passing years.
Contributor

Oliver Pfeiffer is a freelance writer who trained at the British Film Institute. He joined OWF in 2007 and now contributes as a Features Writer. Since becoming Obsessed with Film he has interviewed such diverse talents as actors Keanu Reeves, Tobin Bell, Dave Prowse and Naomie Harris, new Hammer Studios Head Simon Oakes and Hollywood filmmakers James Mangold, Scott Derrickson and Uk director Justin Chadwick. Previously he contributed to dimsum.co.uk and has had other articles published in Empire, Hecklerspray, Se7en Magazine, Pop Matters, The Fulham & Hammersmith Chronicle and more recently SciFiNow Magazine and The Guardian. He loves anything directed by Cronenberg, Lynch, Weir, Haneke, Herzog, Kubrick and Hitchcock and always has time for Hammer horror films, Ealing comedies and those twisted Giallo movies. His blog is: http://sites.google.com/site/oliverpfeiffer102/