50 Reasons Why Stanley Kubrick Is The Greatest Director Of All Time

10. Paths of Glory (1957)

As controversial as anything Kubrick made (it was banned in France for its corrupt depiction of French authority) this piercing commentary on military hypocrisy is one of the most engrossing war movies ever made. Enhanced by an inspired central performance from Kirk Douglas, objective but probing camerawork and architecture that triumphantly emphasis psychological character containment, Paths remains an undisputed masterpiece.

11. Was a True Auteur

Kubrick is probably more worthy of the term 'auteur' than any other filmmaker. He placed his indelible stamp on not just every film he made, but every shot he filmed, every scene he lit, every performance he nurtured and every musical accompaniment he chose.

12. 90% of His Films Were Masterpieces

With the exceptions of Killer's Kiss, the remainder of Kubrick's output - The Killing, Paths of Glory, Spartacus, Dr Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket and Eyes Wide Shut were undisputed masterpieces. He stepped up to bat for the home run and hit it, every single time.

13. Knew How to Instantly Connect with an Audience

Kubrick's flawless ability to connect with his audience is evident in the opening helicopter shot of The Shining, it's there in the final deeply felt song sung to the soldiers in Paths of Glory and it's there in the emergence of the star child in 2001. http://www.youtube.com/watch?v=TgCejsyS0t8

14. Was a Brilliant Futurist

Although obviously missing the aesthetic mark by a few decades the uplifting future technological depiction of 2001 contrasted with the spacious art-deco decadence of an institutionalised oppressive society in A Clockwork Orange are evidence of Kubrick's creative impulse for brilliant future visions.\a
Contributor

Oliver Pfeiffer is a freelance writer who trained at the British Film Institute. He joined OWF in 2007 and now contributes as a Features Writer. Since becoming Obsessed with Film he has interviewed such diverse talents as actors Keanu Reeves, Tobin Bell, Dave Prowse and Naomie Harris, new Hammer Studios Head Simon Oakes and Hollywood filmmakers James Mangold, Scott Derrickson and Uk director Justin Chadwick. Previously he contributed to dimsum.co.uk and has had other articles published in Empire, Hecklerspray, Se7en Magazine, Pop Matters, The Fulham & Hammersmith Chronicle and more recently SciFiNow Magazine and The Guardian. He loves anything directed by Cronenberg, Lynch, Weir, Haneke, Herzog, Kubrick and Hitchcock and always has time for Hammer horror films, Ealing comedies and those twisted Giallo movies. His blog is: http://sites.google.com/site/oliverpfeiffer102/