50 Reasons Why Stanley Kubrick Is The Greatest Director Of All Time

20. New the Limitations of Perfection

Kubrick may have been known as a perfectionist but this didn't mean he wasn't completely aware of his limitations. His films constantly highlighted the holes in controlled environments and allegedly fail-safe situations. Think of the malfunctioning HAL computer in 2001 or the perfect heist that is pulled off in The Killing only for a consequential incident to botch things up, or take the triggering of the doomsday machine in Dr Strangelove. Blowin' in the Wind The Killingat MOVIECLIPS.com

21. Turned Spartacus into a Classic

After Kirk Douglas fell out with original director Anthony Mann, the star appointed Kubrick to fix the problematic production of Spartacus. Though he disliked the screenplay Kubrick obliged and turned the film into a bonafide classic. He later regarded the project as his most fruitless due to the lack of artistic control. But if for nothing else the commercial success of Spartacus gave the director the independence he craved and installed in him a lifelong determination to ensure he had complete artistic control in the future.

22. Influenced The Majority of Modern Filmmakers

Everyone from Steven Spielberg, George Lucas, Ridley Scott, Woody Allen, Martin Scorsese and Paul Thomas Anderson were influenced by the great man. There Will Be Blood is almost a love letter to the director... http://www.youtube.com/watch?v=2q1S7jRLZ70

23. Never Undermined His Audience

The Final Shot of The Shining leaves us with more questions than answers Unlike some of the above mentioned talents Kubrick never undermined or patronised his audience. He demonstrated true faith in his audience by constantly inviting them to bring their own individual interpretation to his films.

24. Was a True Visionary

His films are possibly the closest a filmmaker has gotten to an aesthetic worthy of pure art. Case in point: the beautiful dynamic artistry of 2001's revolving space stations, the oil painting perfection of Barry Lyndon, the perfect symmetry of shots in virtually all his movies.
Contributor

Oliver Pfeiffer is a freelance writer who trained at the British Film Institute. He joined OWF in 2007 and now contributes as a Features Writer. Since becoming Obsessed with Film he has interviewed such diverse talents as actors Keanu Reeves, Tobin Bell, Dave Prowse and Naomie Harris, new Hammer Studios Head Simon Oakes and Hollywood filmmakers James Mangold, Scott Derrickson and Uk director Justin Chadwick. Previously he contributed to dimsum.co.uk and has had other articles published in Empire, Hecklerspray, Se7en Magazine, Pop Matters, The Fulham & Hammersmith Chronicle and more recently SciFiNow Magazine and The Guardian. He loves anything directed by Cronenberg, Lynch, Weir, Haneke, Herzog, Kubrick and Hitchcock and always has time for Hammer horror films, Ealing comedies and those twisted Giallo movies. His blog is: http://sites.google.com/site/oliverpfeiffer102/