7 Remarkable 1970s Thrillers That Still Hold Up Today
Cinema in the 1970s marked a dramatic shift in how films were made. A level of independence was granted to writers and directors that was unheard of during the studio system. The thrillers during this decade dealt with themes such as alienation and isolation, with characters forced into moral quandaries without knowing whom around them they could trust.The 1970s gave us many memorable, gritty crime thrillers, shot on location as opposed to soundstages, giving them a realism that audiences had not seen before. While Alfred Hitchcock reined with stylish thrillers during the 1950s and 1960s, the 1970s ushered in an element of realism to the thriller that a crop of brash and creative young filmmakers pushed to the limits. The result? Audiences were treated to films that in many cases could not be made in the Hollywood of today. Weve taken seven thrillers from the 1970s that were remarkable for their time and hold up pretty good today. From creepy to disturbing to thought-provoking, these are films that should be on every movie buffs watch list.
7. Play Misty for Me (1971)
Director: Clint Eastwood Cast: Clint Eastwood, Jessica WalterBefore Kathy Bates was James Caans number one fan in Misery, Jessica Walter (yes, the same actress who plays Lucille Bluth) is disk jockey Clint Eastwoods number one fan in 1971s Play Misty for Me. This is early Eastwood, and is markedly different than the spaghetti westerns and cop movies for which Eastwood is best known. And its important for a number of reasons. Play Misty for Me marked Eastwoods debut as a director, ushering in one of Americas most popular and prolific filmmakers. Eastwood would go on to carve a reputation as a director who delivered successful movies on time and under budget. Like many thrillers of the 1970s, Misty has something of a raw, unstylized feel to it. Scenes are shot on location and not in an obvious sound stage. The tone of the film is dark, and a sense of realism pervades the film. Films like Misty, Taxi Driver, and Dont Look Now marked a period of neo-noir in American film, launching the careers of many gifted filmmakers.