8 Insane Ways Movies Tried To Save Money

3. Parts Of The Terminator Were Shot Without A Permit

Arnie The Terminator
Orion Pictures

While chatting to EW about the production of his original Terminator movie, director James Cameron mentioned that, from day one, he wanted the film to be shot "cheaply, guerrilla-style," out on the streets of Los Angeles. When filming finally began, he certainly adhered to that mantra, at quite a ridiculous level.

Back then, Cameron wasn't the massive name he is today, and didn't have hits like Titanic and Avatar under his belt. As such, The Terminator's costs had to be kept in check, and he was only given around $6 million to play with (for comparison, Terminator 2 cost over $100 million). That small amount of money had to be stretched thin, and in some cases, not used at all.

So what did that entail? Well, in that same EW interview, Cameron (and producer Gale Hurd) described an instance where the movie was almost shut down by the police, on account of him not buying a permit to shoot in the area.

"All of a sudden this dot appears on the horizon. We see this car coming down this desert road. It’s a cop, and he pulls up and busts us. The police officer said, “I need to see your permit for filming here.” And we didn’t have one. We said, “Oh, officer, we’re making a UCLA student film. We didn’t know you needed permits.” And he said, “Okay, you’re fine, just take the camera off the road.” I don’t know if that cop ever figured it out."

For low-budget films in particular, permits can be pricey, but it is against the law to shoot without one, so Cameron definitely got lucky here.

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Danny has been with WhatCulture for over ten years, and is currently Doctor Who Editor and WhoCulture Channel Manager, overseeing all of WhatCulture's Whoniverse coverage. In 2022, he took charge of WhoCulture and has grown it into the biggest Doctor Who channel on YouTube, and one of the biggest Doctor Who communities on the web full-stop. He has been writing and video editing since his early teens, and first got a taste for content creation after making his own Doctor Who trailers, off the back of a burning obsession with the Matt Smith era of the show. Like many his age, he first got into Doctor Who with the 2005 revival, but has since gone back and fallen in love with the classic years too. If you need someone to recite every Doctor Who episode in order, or to give you a random factoid about the making of Gridlock, Danny is the person to ask!