8 Lessons Studios Must Learn To Avoid Making Box-Office Duds

1. Not Everything Needs A Huge Budget

Deadpool poster
20th Century Fox

One of the reasons why a lot of blockbusters are underperforming is because their budgets are ridiculously high. Most of the flops we've discussed would be considered successes if they'd been made for a little less, and overspending is the habit that Hollywood just can't shake.

Again, let's look at King Arthur: Legend Of The Sword. Its lead actor isn't a proven box-office draw, its director hasn't had a financial hit in six years, and it falls within a genre that's having a rough time lately. This should be an $80 - $90 million movie, right?

It cost $175 million. Before marketing. That's absolutely astonishing. Who greenlit this thing, and who said that budget was okay? The movie was set to be a flop as soon as that giant cheque was signed.

Valerian And The City Of A Thousand Planets is another great example. It's based on a niche comic-book series, with two unproven stars as the leads. Again, this seems like a sub-$100 million movie, or $110 - $120 million at the absolute best.

It was made for around $177 million. That's ridiculous. Why is Hollywood spending so much on these risky movies, then acting all surprised when they die a death at multiplexes around the world?

Look at Deadpool. That was definitely a risky project, and as such, it was given an appropriate $58 million budget. If it did flop, it wouldn't be a huge loss, and if it was good, it wouldn't have far to go to make its money back.

Well, it was good, and it made almost $800 million worldwide. The risk paid off, but even if it didn't, it wouldn't have been a big deal. There's a fundamental issue with the way studios assign budgets to projects, and something has to change.

Why do you think the summer of 2017 was a lousy one at the box-office? Let us know in the comments below!

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Danny has been with WhatCulture for over ten years, and is currently Doctor Who Editor and WhoCulture Channel Manager, overseeing all of WhatCulture's Whoniverse coverage. In 2022, he took charge of WhoCulture and has grown it into the biggest Doctor Who channel on YouTube, and one of the biggest Doctor Who communities on the web full-stop. He has been writing and video editing since his early teens, and first got a taste for content creation after making his own Doctor Who trailers, off the back of a burning obsession with the Matt Smith era of the show. Like many his age, he first got into Doctor Who with the 2005 revival, but has since gone back and fallen in love with the classic years too. If you need someone to recite every Doctor Who episode in order, or to give you a random factoid about the making of Gridlock, Danny is the person to ask!