8 Things Nobody Wants To Admit About MCU Spider-Man

7. He's No Longer A Working Class Hero

Sony Pictures Releasing

Okay, so, ripping off the backstory and personality of Miles Morales is pretty dreadful. But do you know what else is dreadful? How the MCU has transformed Peter Parker from a working class hero into the successor of a billionaire tech mogul with limitless resources.

Peter Parker has always been from a working class background. He doesn't come from money and his responsibilities as Spidey have always made it difficult for him to get any kind of financial security. He has a heart of gold and constantly tries to help others, and he does so from a fairly precarious position (at least until his later years in the comics), which was all conveyed faithfully in the Sam Raimi films from 2002-2007.

The newer, MCU Spidey films make only cursory attempts at diving into this dynamic however. Civil War shows how he's been struggling to get the right equipment for school and it's clear there isn't much money in the May household - a dynamic further exemplified when Pete's putting on an old suit to go to Liz Toomes' swanky get together - but this is immediately off-set by the fact he's swinging around in millions of dollars worth of equipment, and is clearly being groomed to inherit the mantle of the world's wealthiest superhero.

Peter's status as a working class character is further eroded in Far From Home, where he's granted access to a near limitless array of weapons, gadgets and resources. There's a great message about not rushing into certain responsibilities at a young age, but the film ends with Peter fully assured of his neo-Stark status, fashioning his own suit using Stark tech, and retrieving the E.D.I.T.H. glasses off Beck for his own use.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.