8 Times Movie Censorship Backfired

From Florence Pugh's CGI dress in Oppenheimer to disastrous TV edits of classic films.

Florence Pugh Oppenheimer
Universal Pictures

Since there have been movies, there has been censorship.

Regulatory bodies and governments the world over have been mandating change in order for films to be released for well over a century now, whether that be the Hays Code from the 1930s or the "Video Nasty"-induced backlash that gripped the UK decades later. Generally speaking, movie censorship is way less intrusive than it used to be. However, it still persists, with films being subjected to jarring edits or even getting outright banned by certain countries.

Understandably, this tends to not always have the desired result. The intent of most film censorship is to guard against depictions deemed "extreme" or provocative - socially, politically, morally, or otherwise. In the case of TV broadcasters, films tend to get censored to avoid sparking complaints from families. More recently, movie studios like Disney have been censoring material for films available on their streaming services.

Guard something too enthusiastically, however, and it tends to have the effect of driving intrigue.

In that context, it's pretty easy to view all cases of censorship as backfiring in one way or another, with viewers either successfully seeking out the banned material or poking fun at the incongruous changes mandated in a released cut. That's certainly the case with the following examples, which all inspired mockery, backlash, or just drove up intrigue.

8. The UK's Horror Bans - Texas Chain Saw Massacre, The Exorcist, & More

The Texas Chain Saw Massacre UK Poster
Legendary Entertainment

While the BBFC is today a largely lenient and liberal classification board, this was infamously not the case for much of the latter half of the 20th century. Intrusive cuts were not uncommon and it's only recently, over the last two decades, that films that were previously censored have seen re-releases with those cuts or changes removed. Local authorities also had the final say over what films could and couldn't be screened, so even while works like The Exorcist were given an X rating by the BBFC (a precursor to the standard 18 certificate UK moviegoers are now accustomed to), it was still banned by many councils - effectively meaning that certain areas of the UK went without it.

The BBFC also refused classification for The Texas Chain Saw Massacre following its initial theatrical run, with the film only being unbanned in 1998 - a full 22 years after its UK premiere.

While films across a wide range of genres were subjected to intrusive cuts or even bans by the BBFC and the Conservative UK governments of the 1970s and '80s, the horror genre was most affected. However, these bans and cuts have arguably only led to these films gaining a more notorious reputation and consequently their enduring popularity. The Exorcist didn't have its UK TV premiere until 2001, by which point its cinematic acclaim had been underlined by years of stories surrounding its controversial initial release.

You can even draw a throughline from the days of old horror and martial arts movies being banned in the UK to the thriving boutique home video label scene that has emerged over the last decade, with labels like Arrow Video, 88 Films, and Indicator - all UK-based companies - largely specialising in those genres.

Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.