The Best Movie Of Each Year From 1925-2025

83. 1943 - The Life And Death Of Colonel Blimp

The Life and Death of Colonel Blimp
General Film Distributors

Honourable Mentions:  Five Graves to Cairo,The Ox-Bow Incident, Sahara

There is no more formidable a filmmaking partnership in the history of British cinema than Michael Powell and Emeric Pressburger, a duo whose legacy was once forgotten, but which has been steadily brought back to the spotlight thanks to the efforts of Martin Scorsese and Thelma Schoonmaker, the latter of whom went on to marry Powell in 1984.

Powell and Pressburger - whose works were signposted with their production label, The Archers - first rose to prominence during the Second World War, with their fifth collaboration, The Life and Death of Colonel Blimp, their most masterful contribution from this era.

The story of two friends - one English (Roger Livesey), one German (Anton Walbrook) - and their diverging paths as military men from the early 20th century through to the Second World War, Colonel Blimp is as epic as it is tragically romantic, but perhaps its most important quality is its honesty. Powell and Pressburger render a bittersweet and at-times brutal picture of the British stiff-upper-lip through the tragic figure of Livesey's Clive Candy, whilst also confronting the impact of Versailles on the creation of the Nazi state - a frankness which proved remarkably prescient, but that also bristled against wartime convention.

Thematically, The Life and Death of Colonel Blimp is a seminal piece of World War II cinema. Add the dreamlike visuals of The Archers to the mix, and you're left with one of the greatest British films ever made.

 
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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.