The Best Movie Of Each Year From 1925-2025

16. 2010 - The Social Network

The Social Network Mark And Erica
Columbia

Honourable Mentions: Inception, Shutter Island, True Grit

David Fincher's The Social Network may have arrived right at the beginning of the 2010s but it is still very much a defining movie of that decade - one whose ominous conclusions surrounding the Facebook phenomenon only seem to grow starker with each passing year. Fincher's precision-guided directing is well-suited to the bitter story of Mark Zuckerberg's rise - adapted here by screenwriter Aaron Sorkin - and is complemented perfectly by what would become a staple partnership for the filmmaker in a score from Nine Inch Nails' Trent Reznor and Atticus Ross.

There's a bleak, morose quality to Fincher's film that dwells not just on the man who made Facebook (Jesse Eisenberg in a career-defining role) and the various relationships that were shattered in the wake of its beginnings, but also on the sense of collective loss that came with its explosion.

Even in 2010, it was clear that the immediate, invasive switch to digital-first living was causing adverse social consequences. Not to the extent and scale that it has spiralled into from the late 2010s onwards, perhaps - where social media has become a tool for radicalisation, surveillance, and political subterfuge - but the most devastating moments of the film are of those pre-Facebook years and the jarring transition to social media drama and interpersonal collapse, exemplified best in the scene where Andrew Garfield's Eduardo Saverin is confronted by his girlfriend Christy (Brenda Song) for not having updated his relationship status on his Facebook profile.

Now, 15 years later, The Social Network's Pandora's Box approach to Facebook and its then still-burgeoning consequences feels even more upsetting and impressive. We didn't know what hit us until it was too late.

 
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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.