Blu-ray Review: COBRA - Classic 80's Stallone Gets A Disappointing Upgrade!
Full of shotguns, explosions, psychos, super cops, high-speed car chases, dodgy 80s power ballads and enough one liners to sink a battleship... Our review follows.
Love him or hate him, Sylvester Stallone has provided cinemagoers with some classically cheesy action-thrillers over the years. Cobra - released today on Blu-ray for the first time in the U.K. - is a prime example. Full of shotguns, explosions, psychos, super cops, high-speed car chases, dodgy 80s power ballads and enough one liners to sink a battleship... Our review follows. A gang of neo-Nazi hoodlums are led by the mentally unhinged 'Night Slasher', a serial killer who has been breaking into random people's homes and cars, killing them brutally with a range of silent weapons (anything from a claw hammer to a razor-sharp blade of some kind). Lt. Marian Cobra Cobretti (Sylvester Stallone) - a forceful, ruthless cop - is brought onto the scene when one of the deranged thugs takes over a supermarket holding numerous customers hostage. Attempting to end the hostage situation, Cobretti enters the shop only to overhear the hoodlums bizarre rants of a 'New World'. Diffusing the situation when he kills the psycho, Cobretti is concerned when he finds that another murder occurs later that night. With the Night Slasher still at large the murders continue. When young model Ingrid Knutsen (Brigitte Nielson) witnesses one of the murders shes lucky to stay alive. Managing to drive away before the Night Slasher and his gang can kill her, she soon finds that they wont stop until theyve finished their job. With a number of attempts made on her life Cobretti is brought in to protect her. But could an inside traitor ruin his plans to move this valuable witness out of the city and end up forcing them into a battle for survival against the crew? Cobra is one of those films that I remembered enjoying in my pre-teen years at a mates sleepover. In all honesty, the more I remembered the film the more I think it was probably the thought that we'd been allowed to rent an 18 from Blockbuster! Watching as a 24 year old now, the film remains an entertaining - albeit cheesy - watch, but its flaws are far more evident. Very much a product of its time, Cobra will look extremely dated to contemporary audiences. From the unstylish fashions of Brigitte Nielson's modelling scene to the aesthetics of the multiple locations, the film fails to be relatable on any level for today's viewer. Other more simple elements make the film just as laughable. For example, the scene where a police sketch artist draws the villain from Nielson's description causes out-loud laughter - in the words of my never normally funny wife, "A stick man would look more like him!" Having said that, Cobra is still highly entertaining for the right reasons when taken for what it is. There are moments where the action is engaging and exciting: notably the opening supermarket scene, which paves the way for Stallone's quintessential line in response to the villain's threat to blow up the building, "It's ok, I don't shop here!" Other moments that were intended to be tense are plagued with irritating slow motion sequences that are supposed to heighten the terror, but fail to. Essentially, Cobra is a contradiction: it's entertaining to a certain extent with its engaging and exciting action sequences, but it's also painfully funny in places that aren't intended to be. The quality of the acting is also a let down. Whilst Sylvester Stallone is not often considered a fine actor, his performance here takes the dark, brooding leading man persona to whole new heights. His mumbled speech (further impaired by his insistence to chew on things like matches at times) is at its worst and his performance feels uncomfortable in many scenes. Whilst this probably isn't as bad as his turn in Stop! Or My Mom Will Shoot (which to be fair, he is at least funny in!) this is by no means equivalent to the relative talent he evokes in Rocky. Brigitte Nielson is similarly poor, giving a stilted and unconvincing performance as the innocent victim who witnesses the villains commuting murder. Spending most of her time screaming and being generally pathetic, her range consists of heavy breathing and irrational wails. Far more suited to roles where she can camp it up as an over the top bad girl (ala Beverly Hills Cop II), she fails to impress here. ?? as the psychotic serial killer on a fanatical mission uses his odd looks to full advantage to give a performance full of unsettling, intense stares and creepy, sadistic looks. However, this is the extent of his performance and whilst he does appear rather menacing, he is also something straight out of comic book. The supporting cast are little better than the leads, with nobody really standing out as exceptional.