Blu-ray Review: FROM DUSK TILL DAWN - Tarantino/Rodriguez's Slice of Cult Pie
From Dusk Till Dawn is split roughly down the middle, the former half tinged with the acerbic, dialogue heavy signature of Tarantino’s writing; the latter with the squeamish, image-driven inclination of Rodriguez’ directing.
Theres something oddly giddy about From Dusk Till Dawn from the outset, probably attributed to the amalgam of styles from the pairing of genre messiah Quentin Tarantino (who penned the picture, and stars in a supporting capacity) and Marmite-like director Robert Rodriguez; lets be honest, you either love him or you hate him. Some believe him to be a master at toeing the line between style and substance, while others tote him as a shameless hack a poor mans Tarantino. Sure hes made some shaky career choices since, but From Dusk Till Dawn remains an early flash of cinematic aptitude in a flourishing directorial career. It begins as a Natural Born Killers-esque road movie from the perspectives of two brothers, Seth and Richie Gecko (George Clooney and Quentin Tarantino), as they flee to Mexico to escape punishment for a string of murders. Realising that subversion is their best tactic for surviving the border police, they kidnap a family the Minister Jacob (Harvey Keitel) his young daughter Kate (Juliette Lewis) and his adopted son Scott (Ernest Liu) using their family R.V to smuggle themselves out of America. They finally arrive at the Titty Twister; a dive strip joint in the middle of the Mexican wilderness at which the Gecko brothers have arranged to meet their contact and ticket into the fabled criminal promised land of El Ray. This drawn out first act reeks of Tarantino. The dialogue scenes are long and satisfying, with exchanges that crackle with a constant energy, exhibiting a prodigious talent for character driven story that has since elevated him to the level of cult icon. However, the shorter but more carnage driven second and third acts bring Rodriguez into full frame and become more about the fast paced, gore splattered action than thoughtful character development. The Titty Twister is more than just a bar; its also a haven for Vampires who feed on the drifting Bikers and Truckers that frequent the place. It acts as a sort of purgatory for the ensemble cast, most of whom in their own ways have had dealings with sin. They must survive the undead assault as the film indicates, from dusk untill dawn. This is one of Clooneys earliest Hollywood leading man roles and as you well know hes since become something of a fixture for better or worse. He flies off the screen as Seth Gecko, clearly lapping up the opportunity to flex his acting muscles and his roguish take on this dark antihero is undoubtedly a factor in his rise to super-stardom (as well as many an unmentioned damp patch in the audience). Tarantino himself backs Clooney up as Seths younger brother Richie. Where Seth is instantly likeable despite his aggressive personality, Richie is a nauseating sex offender with a taste for rape and murder. Its not a nice role to play, but Tarantino has a creepy air of misunderstood brilliance about him in reality that works well channelled into a character like this. Keitel brings his usual level of excellence to Jacob, the faithless Minister whos traveling to Mexico to escape the painful memory of his wifes death. Hes brimming with an ocean of forlorn willpower and Keitel does a great job of always seeming ready to smack someone as hard as possible, but just managing to hold back. Keitels been a fan of Tarantinos since Reservoir Dogs, when a copy of the script serendipitously found its way onto his desk. He actually called a then unknown Tarantino to personally request involvement in the production. That said, its no surprise to see him here but his inclusion in the cast is nevertheless more than welcome. While Scott, the adopted Chinese son, is something of a non-event and unknown actor Ernest Lui plays him without much in the way of believability, his sister Kate seems to inadvertently steal the show thanks to an impressive performance from Julliette Lewis. Despite having very few actual lines in From Dusk Till Dawn, Lewis cool, collected delivery of a damsel-not-so-in-distress somehow pulls the focus of the entire movie onto her toward the third act climax. Appearing in tertiary roles are the gore guru himself Tom Savini as Sex Machine and blaxploitation favourite Fred Williamson as the Vietnam-vet Frost. These characters are both relatively two-dimensional, unimportant to the actual story but they serve to enhance the latter acts grindhouse tone that takes hold immediately upon arrival at the Titty Twister. I have to admit I dont think From Dusk Till Dawn would be anywhere near as good if it wasnt written by Tarantino. Rodriguez grindhouse sensibilities are second to none no doubt, but its not the gore-drenched Vampire B-movie aspect that makes this film so interesting. Usually, three-dimensional characters arent the primary concern of a grindhouse picture and even protagonists have a similar lack of depth to Sex Machine or Frost. In misleadingly starting the narrative in the more intimate setting and tone of a road-kill movie, Tarantino allowed himself room to develop the central characters into people we actually care about (or are disgusted by in equal measure). By the time we get to the actual carnage, a characters demise actually has an emotional repercussion, rather than just appearing as another gore touting set-piece although they do serve that end as well. This isnt a movie for everyone; if your favourite film is Legally Blonde then its not exactly going to whet your appetite (and also, shame on you). But whats undeniable is that From Dusk Til Dawn managed to evoked an unprecedented volume of nerdgasmic joy around its 1996 release and this sleek stylish Blu-Ray renovation is only going to maximise the effect. Its not quite up to the standards that both Tarantino and Rodriguez have reached since (with Grindhouse, their double feature, as the pinnacle of their partnership in my honest opinion) but its most definitely a worthwhile Blu-Ray purchase for fans of tongue in cheek, but well characterized B-movie style.