Every Indiana Jones Movie Ranked Worst To Best (Including Dial Of Destiny)

2. Raiders Of The Lost Ark

Karen Allen in Raiders of the Lost Ark
Paramount Pictures

The film that started it all, it's no surprise that Raiders of the Lost Ark spawned an entire series from Indiana Jones' debut adventure.

Lucas and Spielberg introduced the character of Indy perfectly, right down to the first few frames of the film. Raiders' introductory temple sequence is a thing of beauty and enshrines almost every facet of Indiana Jones' character, from the moment he steps out of the shadows with his steely glare, to the panicked expression of triggering the temple's traps and the exasperation of being outmaneuvered by Belloq, all the way up to the anger of having to put up with Jock's snakes as they make their airborne getaway.

There is no better character introduction than Raiders', and it's a strong foundation Spielberg and Lucas build on to legendary effect. The first Indiana Jones film is brimming with affection for the form and its history, most obviously and notably the adventure serials the two filmmakers grew up watching. But it's also a reminder of Spielberg's talent as an innovator.

Ornately layered with enticing exposition and rhythmic action sequences, Raiders of the Lost Ark is beautifully composed by the director and cinematographer Douglas Slocombe, who build up a breathless pace as Indy and old flame Marion Ravenwood (played by a terrific Karen Allen) race against time to retrieve the Ark of the Covenant before it can fall into the hands of the Third Reich. Top it off with yet another legendary score from composer John Williams, and you're left with legendary cinema.

There are moments where Raiders of the Lost Ark lags, particularly in the final act before that face-melter of a closing scene, but it's still a glorious debut for Dr. Jones.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.