John reviews PERRIER'S BOUNTY, the black/comedy IN BRUGES of 2010?
Few film categorisations come as contentious as gangster comedy, a genre most famously espoused by a certain former Mr Madonna. Its hard to think of a more more love-him-or-hate-him director. But "Perriers Bounty", released in the U.K. on Friday, is not a Guy Ritchie film, its not British and its not a "Lock Stock & Two Smoking Barrels" clone. Theres evidently a smattering of Ritchie influence, but for the greater part this is a uniquely Irish black comedy. Its not perfect, but it has enough decent gags to maintain a level of interest. "Perriers Bounty" is directed by Ian Fitzgibbon, who has previously directed only one film (the similarly darkly comic "A Film With Me In It"), but is a veteran of the Irish film and TV industry, primarily as an actor - he once guest starred in an episode of classic Irish sitcom "Father Ted". He and writer Mark ORowe demonstrably know the Irish disposition well and sprinkle some wonderfully deadpan humour over the more serious and less successful narrative. Cillian Murphy, in a typically impressive lead performance, plays Michael, a young Dublin rogue who for unexplained reasons owes ¤1000 to the titular gangster boss Darrien Perrier, played by the outstanding Brendan Gleeson. When a member of Perriers gang is accidentally killed, he puts a bounty on Michaels life. Accompanied by his estranged father Jim (Jim Broadbent) and neighbour and inevitable love-interest Brenda (Jodie Whitaker), Michael consequently spends a night and a day maneuvering round the seedier parts of Dublin, via a series of increasingly lucky escapes, to avoid the wrath of Perrier. Perhaps the plots weakest element, the constant close calls always seem somewhat contrived. Michael is seconds from death on at least three occasions before being rather implausibly rescued from his fate. The intention, presumably, is to generate some tension and action but by overusing a plot device, on the protagonist no less, it is a little predictable. By the second or third near-death experience you know whats coming. In spite of the assurance from Gabriel Brynes narration that anything could happen, everything that you expect to happen more or less does. Fool me once, as they say...
The subplots between Michael and both his father and Brenda are also a little lacking. Jim, played with a decent Dublin accent and a genuine humanity by Broadbent, claims he has been visited by the Reaper and will die next time he falls asleep. He subsequently seeks to resolve his differences with his son, a distant-father-who-makes-good tale weve seen a million times before. Broadbent and Murphy show great chemistry but have little to work from. The crushing inevitability of the romantic subplot, meanwhile, is even acknowledged by the narration (Wouldnt it be nice if Michael and Brenda got together?), possibly an attempt at making dialogue like I think Im falling in love with you a little more tenable by framing it ironically, or something. If that was the intention, which seems unlikely, it doesnt work. Michael and Brendas relationship is not entirely unconvincing, but in such an overwhelmingly male-dominated film, its hard not to get the impression that Brenda was a character thrown in simply to redress the balance a little. But "Perriers Bounty" gets along by generally being very funny. Where Guy Ritchie faltered by hamming up the farce, Fitzgibbon plays it far more impassively, and ORowes script does feature some cracking lines. Liam Cunningham, as villainous loan shark the Mutt, has some of the best; he admires one woman in a bar on the basis she would go like a bag of carrots.
