Joker (2019): 8 Major Problems No One Wants To Admit

8. There Are Only Two, Legitimately Great Things About The Film

Joker 2019
Warner Bros.

Consult a plethora of reviews about Joker, and you'll stumble across a few recurring themes. One, that Phoenix's performance is incredible; and two, that the film is shot beautifully. In both cases I'm inclined to agree with consensus, and while I'm also fully aware of the fact that Joker, as a character study, can be sustained by Phoenix's performance, it's not enough to overlook its flaws.

To be clear, Phoenix absolutely deserves all the plaudits. His portrayal of Arthur is haunting and genuine, and he benefits from being afforded the opportunity to tell a completely new version of the character before and during his decline. He makes the role his own by honing in on the physical aspects of the character, and there are times where you feel as though mania is simply trying to tear its way through the actor's skin.

But that's not enough to simply call Joker a stunning accomplishment. For all that Phoenix gives the part his all, the overarching plot never sustains his talents. The stage never feels adequately set for him to embark on his downfall, and it means the audience never develops an intimate understanding of Arthur. Maybe that's the point, but even if ambiguity speaks to this particular version of the character, there's no momentum to his demise either. Instead, Phoenix maintains a persistent intensity that, while unquestionably brilliant, makes discerning Arthur's downfall all the more perplexing.

For most, Phoenix will be enough to cement Joker as one of the films of the year - and that's fair enough. But there are flaws almost everywhere else.

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WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.