Joker (2019): 8 Major Problems No One Wants To Admit

4. The Idea Of A Joker Who Doesn't Understand Comedy Is Great, But...

Joker Arthur Fleck Comedy
Warner Bros.

It's always exciting to see a comic book movie put its own spin on a given character or story arc. Adaptations should never be so beholden to the source material that they suffocate and, to Joker's credit, the film does at least conjure a new mythology for Gotham City, and of course for the title character as well. Situated within the context of past Batman films and stories, there are plenty of positives to take away from the film - not least of which is the idea of a Joker who really isn't all that funny to begin with.

Arthur Fleck does not understand comedy. He's compelled to comedy from his own childhood trauma but it's never something he truly understands. He goes to open mic nights in an attempt to determine the humour of the contemporary zeitgeist (in this case late seventies America), which is of course crude, offensive, and exactly the kind of comedy director Todd Phillips seems so intent on practicing in today's "woke" culture.

Separate the film from Phillips, and there's something incredibly interesting about seeing a version of the character who isn't funny. He doesn't *get* comedy at all, and his entire act as a clown - while well intentioned - isn't exactly the most intricately detailed set. That's really interesting, especially as it comes to play a role in the character's exchange with Murray Franklin later.

Warner Bros.

But then, when you consider Phillips' rant about the supposedly stifling effects of "woke culture" on comedy, the film takes on an entirely different kind of face. I'll get to the manifesto later, but when Arthur is laughing at jokes that only punch down, is this actually a case of Phillips pining for offensive comedy? Likewise, the scene with Gary (a character with dwarfism), where he can't escape from Arthur seems as though it was played for laughs, when it's actually incredibly uncomfortable.

The entire 'joke' is that he can't reach for the door after being trapped in a room where he could die, and the issue only gets harder to ignore when Arthur appears on the Murray Franklin show in the next sequence.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.