Michael Mann: Ranking His Films From Worst To Best

5. Manhunter

Okay, so Brett Ratner€™s 2002 take on Thomas Harris€™s novel Red Dragon isn€™t terrible; still, it has nothing on Mann€™s 1987 adaptation of the same novel, which - released 4 years prior to The Silence Of The Lambs and Anthony Hopkins forever staking his claim as the definitive Hannibal Lecter - casts a decidedly lesser-known actor, Brian Cox, in the role of the high-society-cannibal. Cox exudes a subtler menace that, while perhaps less overtly horrifying, is still plenty creepy in its own right, especially when you find yourself trying to shake his low-key drawl from your head before bed. Riveting as Cox€™s performance is, however, it€™s merely one aspect of a film that is more than deserving of it: wholly unflinching in his vision, Mann paints a world onscreen that is irritating to the senses, dripping with neon, grime, and dank unpleasantness, combined with a Tangerine Dream score that dominates the experience with an unnerving austerity. Manhunter is the closest that Mann has yet come to making a full-fledged horror movie, and one can only hope that it won€™t be his last. Manhunter may not be €œfun€ in the conventional sense, but for those willing to succumb to its dark vibe, there€™s plenty to be admired.
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