Moonfall Review: 4 Ups & 6 Downs

Roland Emmerich delivers the dumbest film of the year - and perhaps any year.

Moonfall Halle Berry
Lionsgate

The so-bad-it's-maybe-good movie event of the year has finally arrived - the latest nutso disaster flick from schlock peddler Roland Emmerich.

Though it's certainly arriving on a wave of muted hype amid few pre-release reviews and limp box office tracking, Moonfall sure is a sight to see alright.

This utterly delirious sci-fi extravaganza, centered around the Moon being knocked out of its orbit by a mysterious force, may not be a good film by any typical metric, but it does at times transcend its innate stupidity to deliver something entertainingly bonkers.

With a massive $146 million budget, Moonfall is one of the most expensive independently-funded films ever made, and while it's tough to picture it ever turning a profit, throwing something this unhinged out in cinemas is admirable in its own way.

Anyone who's seen the trailers knows to expect idiotic dialogue and plotting alongside a few questionable performances, and Moonfall at least delivers on those expectations.

But to its mild credit, it also commits hard to the extra-ness of its premise, taking it in a deeply silly direction that just might make it a campy cult hit in the years to come.

Nobody could blame you for skipping it at the cinema, but at the same time its sheer audio-visual bombast makes it well-suited to giggle at on the big screen.

But now, here are the many, many things that don't work about Moonfall...

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Stay at home dad who spends as much time teaching his kids the merits of Martin Scorsese as possible (against the missus' wishes). General video game, TV and film nut. Occasional sports fan. Full time loon.