The Best Die Hard Rip-Off Is One You've Never Seen

Sylvester Stallone's Cliffhanger offered a great twist on the Die Hard formula.

Cliffhanger Sylvester Stallone
TriStar Pictures

John McTiernan's Die Hard pretty much redefined the modern action blockbuster when it released in 1988. Sleek, suspenseful, and thoroughly human, the film launched Bruce Willis' action career and subverted the expectation of what the stars of that genre should look like.

Willis, who at that point had thinning hair and a lean physique, made for an interesting contrast to the then action kings: Sylvester Stallone and Arnold Schwarzenegger, both honed athletes whose films saw them cleaving heads with swords and taking Vietnam at the barrel of an M60. Together with the Shane Black-scripted Lethal Weapon, directed by Richard Donner, Die Hard ushered in a new kind of genre blockbuster, where heroes were vulnerable again, and getting your ass kicked was, in some ways, just as cool as being the ass-kicker.

Aspects of the Die Hard formula weren't alien to Sly and Arnie, of course. Even in the Survivor-scored antics of Rocky IV, where Stallone's Italian Stallion went up against Dolph Lundgren's machine-engineered supervillain Ivan Drago, Rocky got beaten up and bruised. He was by this point a shadow of his vulnerable, working class roots - a reflection of eighties excess and MTV aesthetics just like the Tony Scott-directed Top Gun and Beverly Hills Cop 2 - but Rocky still got beaten up. He still hurt, even if he showed less battle damage than he used to.

Cliffhanger Sylvester Stallone
TriStar Pictures

The same was true of Schwarzenegger who, in the nineties, arguably illustrated a better grasp of his action persona than his one-time rival. Predator, which released a year before Die Hard in 1987 and was also directed by McTiernan, was arguably just as subversive, assembling a group of immaculate badasses only to have them be torn apart by an alien slasher villain.

Arnie's (unfairly) unheralded period in the early nineties reiterated his grasp on his screen and Hollywood personality, exemplified in the criminally underrated Last Action Hero (McTiernan again). This career adjustment for Schwarzenegger was defined by comedy and more light-hearted efforts, and it would take years and a governorship later until he starred in a film made in the Die Hard mold - 2013's The Last Stand, where he portrays a sheriff who battles outlaws in a small town.

Stallone - who suffered a greater fallow period than his rival in the nineties - wouldn't wait as long to take a stab at the Die Hard formula. However, when he did, he arguably did it best, firmly placing his own spin on the Die Hard scenario by leaning into - rather than shying away from - his athletic physique and screen persona. I am, of course, talking about Cliffhanger, which has recently just turned 30.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.