The Dark Knight Rises - 10 Things We Are Still Talking About

5. The Plot Holes

Ah yes, the plot holes, they€™re undoubtedly there and they have been highlighted by many detractors (many on this site), but how much do they really matter? Whilst a plot hole isn€™t usually intended, whether they are a criticism or not is another matter and could potentially be underlying of a larger issue. One of the most commonly cited plot holes (don€™t worry, I€™m not going to go through them all) is the idea that Batman was not only transported to a mythical prison in a far away land, but that he, after pushing his spine back into place and escaping, manages to get back to and enter Gotham, but the audience is left dumbfounded as to how. Guess what kids? He€™s fucking Batman. Is The Shawshank Redemption bad because clearly his cell is in the middle yet €“ spoiler alert €“ when he digs through the wall his cell is at the end of a row? Its one thing for plot holes to be cited as a criticism against a film, but it€™s a damn cheek for those lamenting the plot holes to also suggest that there€™s too much expositional dialogue. Would TDKR have been made any better if this were explained? Absolutely not. As stated above, this is just one of many, so why then are they brought up at all? One theory on this is that if you€™re sitting there and instead of becoming absorbed in Nolan€™s Batman€™s final outing you€™re thinking about the logistics behind Bane knowing where Bruce Wayne€™s lair is located, the movie has already lost you, which is a shame. Maybe it didn€™t even have you to begin with. This theory could be completely wide of the mark but to my mind ties in with the more discerning fans and their expectations. To some, TDKR couldn€™t win. Expectations had been blown with Batman Begins. Leading up to TDK they became insurmountable yet somehow Nolan pulled the rabbit out of the hat, to please everyone a third time was almost impossible. However good it is, TDKR suffers for being last out of the blocks. TDK is far from a perfect film yet largely due to Heath Ledger€™s show stopping performance, its so damn immediate and iconic that whatever follows either goes bigger (which TDKR thankfully didn€™t) or pales in comparison. When looking back on these films in years to come I€™d wager the today€™s naysayers realise that TDKR isn€™t Nolan€™s Return of the Jedi but his Return of the King.
Contributor
Contributor

David is a film critic, writer and blogger for WhatCulture and a few other sites including his own, www.yakfilm.com Follow him on twitter @yakfilm