The Hateful Eight: 8 Reasons It's Quentin Tarantino's Worst Film

5. And The N-Word Finally Feels Problematic

I'm never one to gripe about the use of profanity in a film €“ and especially in a Tarantino €“ but the specific racial profanity on show in The Hateful Eight finally feels problematic, even more so when you consider that the n-word has long been a controversial aspect of Tarantino€™s work. The director clearly loves using the word, and in a way, that€™s fine. This is film and the word exists €“ it€™s there to be used if necessary as an artistic choice. And while it€™s always been hard to outright defend Tarantino€™s obsession with the word (and it€™s clear now that it is indeed an obsession), it never felt like he was just using it for the sake of it. The line €œdead n*gger storage€, spoken by Tarantino himself in Pulp Fiction, is tough to defend, but in the context of that film€™s hypertrophied vernacular, it fits. It too fits when the word is repeatedly used in Django Unchained, a purposefully exploitation-like subversion of slavery. When Django spits the line €œthe D€™s silent, hillbilly€, the use of the word prior is warranted, because Django has his own, better put-down to retort with. But here Tarantino really is dropping n-bombs because he can, and no amount of Civil War context can defend it. As Matt Zoller Seitz said in his review of the film: €œIn the end, €˜The Hateful Eight€™ is less reminiscent of any single Western than of a certain episode of €˜Seinfeld€™€”the one where Bryan Cranston plays a gentile dentist who makes Jewish jokes but insists it's OK because he's converted. "I have a suspicion," Seinfeld says, €˜that he's converted to Judaism just for the jokes.€™€.
Contributor
Contributor

No-one I think is in my tree, I mean it must be high or low?