This Men In Black Secret Will Blow You Mind (For The Worst Reasons)

Men in Black is basically the greatest '90s movie, but its success wasn't shared fairly.

Men In Black
Sony Pictures Releasing

1997's Men in Black is a perfect movie. Whether it's the chemistry of lead stars Will Smith and Tommy Lee Jones, the score by Danny Elfman or Barry Sonnenfeld's wonderful direction, MiB is pretty much the ultimate '90s blockbuster - a gloriously creative sci-fi comedy punctuated by a banging track from the king of summertime himself. The film grossed over a half-billion dollars at the box-office and spawned three sequels (two of them good), an animated series, games, and plenty of merchandise.

Cumulatively, the four MiB movies released to date have grossed over $1.9 billion (according to Box Office Mojo). So why does its production company and distributor, Sony Pictures, insist that the first movie made a loss?

Yes, even though it was made for a reported budget of $90 million, the first Men in Black is apparently yet to turn a profit - strangely, it would seem, to the benefit of the film's studio, Sony Pictures. In numerous ways, Men in Black being a loss-maker is beneficial to Sony, paying off when it comes to taxation and the payment of profit points to creatives involved with its production - one of whom has highlighted the issue repeatedly over the last few years.

It shouldn't be controversial to say that writers are the backbone of the movie and television business. Without scripts, you don't have anything to shoot. Without writers, you get stuff like Transformers: Revenge of the Fallen. And yet, consistently, over the years, writers have been mistreated by the Hollywood studios - exploited, overworked, and undervalued. It's little wonder that fresh strikes are ongoing at the time of recording, with the Writers Guild of America fighting for fair and equitable treatment for generating the ideas that makes Hollywood its billions.

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Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.