
Released on the 21st January
The Ward sees veteran
horror maestro
John Carpenter return to what he does best after an almost decade long hiatus (and even longer horror hiatus). This decidedly old-fashioned 'stalk 'n slash' shocker stars
All the Boys Love Mandy Lane actress
Amber Heard as an institutionalised young woman who is spooked by a ghostly entity in her ward. Judging from the lukewarm advertising campaign The Ward may not be the micro-budgeted instant classic horror fans recall from Carpenters
Halloween,
The Thing and
Escape from New York heyday, but the film should still be embraced as something of a celebration for anyone who has become bored of the slew of low-brow torture-porn, reality cemented, relentless remake infatuated films that have devoured the genre of late. Sure there have been high-points, with
Paranormal Activity - a deservedly persuasive creeper and the nicely executed
Eli Roth produced
The Last Exorcism, along with
Jaume Balaguero and
Paco Plaza's descent follow up to their Spanish hit
Rec but one suspects sequels and rip-offs will soon destroy the freshness of such cinematic pleasures. This is why we must rejoice in the return of the Kentucky Hitchcockian master who will hopefully give the new horror kids on the block a reality check at the very least - especially considering how Carpenter's back-catalogue of classics have already been disrespectfully mangled by ghastly remakes recently.

Although it may be fair to say Carpenter's career never fully recovered following
The Thing's (1982) commercial failure almost 30 years ago there were moments to be had in the more contemporary likes of
Prince of Darkness,
They Live and
In the Mouth of Madness that proved he never truly lost his touch. But this is more than a cinematic celebration of the return of one previously repressed horror master. This is a realisation of a cinematic revival for the return of an entire group of 1970s/1980s horror veteran filmmakers.
Sam Raimi, the creator of the original Video Nasty
Evil Dead suffered a career slump post the success of
Evil Dead 2; with both
Darkman and
Army of Darkness noticeably lacking the wacky humour or finely tuned creepy cartoony horror indulgence of the director's early work. It wasn't until a lukewarm western (
The Quick and the Dead), a dramatic crime thriller (
A Simple Plan), a ghostly crime tale (
The Gift) plus a couple of impressive bouts with
Spidey that the director returned triumphantly to his horror ancestry with the almighty frightener
Drag Me To Hell in 2009.

Then there's the recent emergence of 64 year old
Gremlins' director
Joe Dante after a twenty year long (yes twenty years!) kafuffle. This is an auteur who gave us the original and shamelessly fun
Jaws rip-off
Piranha (far better than either
James Cameron's turgid sequel debut or the recent shameful remake), the suspenseful smarts of lycanthrope terror
The Howling (proclaimed recently by filmmaker
Christopher Smith as having the greatest first half hour of any film in the genre), a gruesomely good segment of the so-so
Twilight Zone movie and then went on to the aforementioned classic green-eyed monster caper, along with directing twin sci-fi cult favourites
The Explorers and
Innerspace. After that it was TV movie hell - apart from 1998's
Small Soldiers which was hardly a bogus cinematic return. Last year he presented us with his best shot in decades -
The Hole; a scary kiddie adventure for a whole new generation of cinemagoers.

And we mustn't forget
John Landis' superb contribution to the genre:
An American Werewolf in London, his literally ill-fated but equally creepy compendium piece to
Twlight Zone: The Movie and of course the infamous classic zombie and wolf man infused Michael Jackson
Thriller video. His recent black comedy
Burke and Hare had charming Hammer horror overtones and it was great to see him incorporate horror legends
Christopher Lee and
Tim Curry into proceedings.

Plus theres good old anti-establishment zombie master
George A. Romeo who is regarded as single-handedly creating the popular sub genre with his original trilogy of 'Living Dead' films. He came back with a vengeance five years ago with
Land of the Dead and after a further two instalments it appears his relentless blood thirsty fiends show no sign of reposing anytime soon.

So are we witnessing a return of the repressed horror veteran? And if so why didn't it happen earlier? Is it that contemporary horror is in such dire circumstances that it is subconsciously screaming out for help from previous masters of the genre or is it a simple case of history repeating itself? Is there any scope for other former horror masters like
Dario Argento and
Tobe Hooper, not to mention
Wes Craven (
Scream 4 is on its way), getting in on the game? Hell wouldn't it be great if
David Cronenberg went back to his psychological horror roots? Let me know your thoughts and whether there are any other repressed genre masters you would like to see rise from the grave soon.