10 Bands That Never Topped Their 1st Album

Guns N Roses were never better than when they flew out the gate...

Axl Rose of Guns n' Roses on stage during the Freddie Mercury tribute concert at Wembley.    *23/08/02 Axl Rose of Guns 'n' Roses on stage during the Freddie Mercury tribute concert at Wembley.: The band, who haven't played live in the UK
PAUL ROBERT PAUL/PA Archive

When a hungry new band comes storming towards the world stage, it's usually a sight to behold when they have the songs, the look and the drive to make everyone take notice.

There's no secret to the perfect debut album, but often the best ones are to-the-point statements telling you who the band is, what they have to say and what records they collected growing up. That also usually means holding off on the string sections, piano ballads and album covers omitting the band's name.

That first set of songs is a lifelong project many songwriters hack away at since their teenage years. They plow every little clever hook they've recycled from their beloved record collections into something resembling the best album their favourite bands never made, but what happens then?

After the typical debauchery of touring a smash hit album for what could be a year or two, going back to the bedroom for another set might be a chore. The solution regularly falls within the categories of rewrite, U-turn or call in the orchestra.

Sometimes you end up with another brilliant album, other times it's time for the foaming critics to roll out the old Sophomore Slump label again.

10. Rage Against The Machine

The first Rage Against The Machine album was the audio equivalent of tossing a hand grenade into some bland corporate stakeholders meeting. Their definitive rap-metal statement sent many suited slugs scrambling to figure out how to cash in on something that called for their demise.

Whether you subscribe to the band's humourless political views or not, it's almost impossible not to subscribe to the muscular, funked-up riffing Tom Morello uses to back up vocalist Zack de la Rocha's angry slogans. For ten tightly constructed songs, the band never relents in bludgeoning the listener with irresistible fury.

Producer Garth Richardson pulled a smart move placing the microphones in the right places and getting out the way as the band charged through what sounds like a pissed off basement brawl with minimal overdubs and studio trickery. The band's playing is precise and militant, but the fun is in their pure conviction.

The Los Angeles band's album might have spawned a misguided army of awful imitators, but it endures as a brilliant snapshot of a city (and world) on a knife-edge in 1992.

It took them four years to follow it up with Evil Empire in 1996, but the follow-up's more cerebral approach took some of the bounce out the music. It is as strong as the debut in many ways, but the message became a bit wordier and underlined how protest posters are more fun than actually getting that four-year political science degree.

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