10 Most Lyrically-Intense Eminem Verses

5. €˜Bad Guy€™ (Fourth Verse) €“ The Marshall Mathers LP 2

There are four verses to choose from in €˜Bad Guy€™, Eminem€™s best song in ten years, and though the first three focus on an utterly enthralling story that acts as a belated sequel to €˜Stan€™ from the first €˜Marshall Mathers LP€™ in a suitably pleasing manner, it€™s the dramatic coda of the fourth that really gears the song up to a stratospheric level of intensity. Its significant length allows a very slow but ultimately staggering expulsion of a luminous extended metaphor that swamps around explosive instrumentation (around 5:30 is the tipping point) and some touching words along the way (€œMatthew and Stan€™s just symbolic / Of not knowing that you have till it€™s gone€). Most surprisingly is the minimal profanity, which actually helps the flow rather than hinders it in an interesting change of tack from Eminem. A stunning verse and unexpected but hugely welcomed conclusion to this exquisite return to form.
I also represent anyone on the receiving end of those jokes you offend I'm the nightmare you fell asleep in and then woke up still in I'm your karma closing in with each stroke of a pen Perfect time to have some remorse to show for your sin No, it's hopeless, I'm the denial that you're hopelessly in When they say all of this is approaching its end But you refuse to believe that it's over, here we go all over again Backs to the wall, I€™m stacking up all them odds Toilets clogged, yeah cause I€™m talking a lot of sh*t but I€™m backing it all up But in my head there€™s a voice in the back and it hollers After the track is demolished; I am your lack of a conscience I'm the ringing in your ears I€™m the polyps on the back of your tonsils Eating your vocal chords after your concerts I€™m your time that€™s almost up that you haven€™t acknowledged Grab for some water but I€™m that pill that€™s too jagged to swallow I€™m the bullies you hate, that you became With every f*ggot you slaughtered Coming back on you, every woman you insult That, with the double-standards you have when it comes to your daughters I represent everything, you take for granted €˜Cause Marshall Mathers the rapper€™s persona's half a facade And Matthew and Stan€™s just symbolic Of you not knowing what you had 'till it€™s gone €˜Cause after all the glitz and the glam No more fans that are calling your name, cameras are off Sad, but it happens to all of them I€™m the hindsight to say, €œI told you so€ Foreshadows of all the things that are to follow I€™m the future that€™s here to show you what happens tomorrow If you don€™t stop after they call you the Biggest laughing stock of rap who can€™t call it quits When it€™s time to walk away, I€™m every guilt trip The baggage you had, but as you gather up all your possessions If there's anything you have left to say Unless it makes an impact then don€™t bother So before you rest your case Better make sure you€™re packin' a wallop So one last time, I€™m back Before it fades into black and it€™s all over Behold the final chapter in the saga Trying to recapture that lightning trapped in a bottle Twice, the magic that started it all Tragic portrait of an artist tortured Trapped in his own drawings Tap into thoughts Blacker and darker than anything imaginable Here goes a wild stab in the dark uh As we pick up where the last Mathers left off
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A mythical hedonist, a chronic solipsist, a poet armed with a mouth full of adjectives, a brain full of adverbs and a box full of laxatives. Writing words in a language that isn't real to impress people that I invented since The Big Bang.