10 Most Disappointing Hard Rock Albums In History

5. Emerson, Lake & Palmer - Works Volume 1

Elp Works Volume 1AtlanticThose who only know ELP from their mellow radio hits (like Lucky Man and From the Beginning) are probably wondering why a band most-often compared to Yes and Jethro Tull would be included on such a list. But ELP€™s early albums, while still loaded with the usual self-indulgence associated with progressive rock, were often just as loud and heavy as Deep Purple€™s. Sonically, the only real difference between Brain Salad Surgery and Machine Head was that the former mostly relied on keyboardist Keith Emerson to make everyone€™s ears bleed. At the time, ELP were huge, even headlining over Black Sabbath and Deep Purple at the 1974 California Jam, one of the biggest music festivals of the 70s. After 1973€™s Brain Salad Surgery - their most popular (and heaviest) album - ELP disappeared for four years while its individual members indulged their egos with various solo projects. When they finally decided to pull their heads from the sand in 1977, a lot had changed. Punk rock reared its ugly head, disco ruled the airwaves, bands like Deep Purple were in their death throes and Pink Floyd had taken over as the face of progressive rock. In terms of remaining musically and culturally relevant, Works Volume 1 was the worst possible album they could have made at the time. First of all, it was an ELP record in name only, released as a double album, with each band member given complete control of an LP side in order to showcase their individual talent. Only side four featured the three of them actually playing together (including Fanfare For The Common Man, the last enduring track they€™d ever record). Worst yet, almost none of it could be even loosely defined as rock; Emerson€™s side was piano-based classical music, Lake€™s consisted of syrupy acoustic ballads, while Palmer€well, there€˜s a reason drummers are seldom a band€™s primary songwriter. None of this music would have found an audience without ELP€™s name attached to it. Works Volume I reeked of a cynical cash-grab by a band whose members no longer had any creative use for each other, yet still depended on the value of their brand name.
 
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Contributor

D.M. Anderson works and lives in Portland Oregon. He is the author of two young adult novels (Killer Cows & Shaken) and a collection of dark tales (With the Wicked). He has also published several short stories which have appeared (or will appear) in various anthologies and magazines such as 69 Flavors of Paranoia, Night Terrors, Trembles, Encounters, Implosion, Strange Fucking Stories, Perpetual Motion Machine. He documents his adventures in the dark on on his movie site, Free Kittens Movie Guide