Isle Of Wight Festival 2013 Review

SATURDAY:

WC IOW SatImage: Sarah Lincoln photography

Saturday began clear but breezy, saving many a converse-footed festival goer the need to run for emergency festival wellies . After a great interview with festival promoter John Giddings, we joined the large crowds gathering to see London quartet Bastille. Frontman Sam Smith's victoriously bittersweet anthems roused the crowd, who were bouncing around to his extravagant soaring choruses and the band€™s infectious beats - with €˜Pompeii€™, and €˜Bad Blood€™ in particular, causing some serious arms-in-the-air moments against gradually escalating winds.

WC Bastille

Image: Sarah Lincoln photography

Singer-songwriter Ben Howard€™s set felt underwhelming after Bastille€™s heightened sense of immediacy, especially when juxtaposed with Jake Bugg€™s triumphant Saturday set, but The Maccabees sharpened things back into focus using the sweeping melancholia of last album €˜Given To The Wild€™. They peppered the set with some of their earlier more jangly indie-pop numbers such as €˜First Love€™, during which lead singer Orlando Weeks smiled as he seemed to sense the cheeky festival irony of the line €œDo you miss home?€

It fell to art-punk indie-rockers Bloc Party to warm the stage up for the weekend€™s biggest headliner The Killers. Kele Okereke and co ratcheted up the tempo with a fast and fiery set, stand-outs being angular rock monster anthem €˜Helicopter€™ and beat propelled synth-drenched dance smash €˜Flux, which really got the crowds dancing.

WC Maccabbes

Image: Sarah Lincoln photography

The winds were howling by this point, and looking back they were probably keeping the rain at bay, and seemed to whip the crowd into an even more wild desire to see The Killers take to the Main Stage. When Brandon Flowers finally appeared as the sun was dying against the backdrop of the Main Stage he did not disappoint: the wind pulled at his fitted black leather jacket and he looked every inch the rock god he€™s always threatened to be. Then The Killers truly brought the dazzling sparkle and shimmer of Las Vegas to Seaclose Park. Opening with the colossal synth-pop desperation of €˜Mr Brightside€™, they went on to play a two-hour €˜greatest hits€™ style set that also included some amazing covers in the form of Tiffany's €˜I Think We're Alone Now€™ and Joy Division€™s classic €˜Shadowplay€™. I€™m not sure how he does it, but Flowers€™ bombastic overblown delivery somehow inversely makes him appear effortlessly cool. Not once did they flag, closing with the unbearably awesome triple whammy of 'All These Things I've Done', 'Jenny Was A Friend of Mine' and 'When We Were Young' . In short? Bloody spectacular. Other highlights €“ Tim Burgess of the Charlatans' early-hours DJ set in the Carling Bar, Fun€™s booming cover of The Rolling Stones€™ €˜You Can€™t Always Get What You Want€™ at the Big Top, and The Scarletz bringing an amorous mix of glamour and glitz to The Strongbow Stage.

Contributor
Contributor

Relentless traveller whose writing encompasses music, film, art, literature & history. ASOIAF connoisseur.