Terror Danjah - Dark Crawler Review

rating: 3

Dark Crawler is an enjoyable albeit not wholly essential listen from one of grime's godfather's. It's also only the second full-length album Danjah has released, not just for the Hyperdub record label but over his more than decade long stint as de facto veteran grime producer. The rough and tumble of Dark Crawler's synths, sub-bass and drums sometimes belie their complex construction, but nonetheless this is as thrillingly physical as electronic music gets without sounding lobotomised. Album opener €˜€˜Dark Crawler Intro€™€™ lulls you in with mischievous laughter and light musical narration that wouldn€™t be out of place in an old Looney Tunes animation, only to pummel you the next moment with a surge of grimy orchestral stabs. €˜€˜Mirrors Edge€™€™ begins with a ruminative piano score before squelching into life with the kind of bass lurch that usually gets frowned upon by anyone sober and not entirely convinced by the €˜EDM€™ (Electronic Dance Music) phenomenon that€™s currently getting American teenagers in a tizz. Things get infinitely more interesting and exciting with €˜Dark Gremlinz€™, its bubble-bursting beat and frantically layered grime stomp providing a good headphone listening experience as well as sound system worth. The first €˜€™Dark Crawler Interlude€™€™ on the album features Riko Dan on vocals, and similar to later guest appearances from MC€™s Trim, Deadly & Saf One, Mayhem and Kozzie: the aggressive vocal turns ape the concrete thud and punk ethos of Kevin Martin€™s The Bug but without the latter's purposeful political fire. These interludes highlight Dark Crawler's flaws, such as a reliance on dated grime string-stabs and angry MC-posturing that doesn't really have a lot to say. €˜€˜You Make Me Feel€™s€™€™ terse percussive claps, springy synths and soulful vocals courtesy of guest vocalist Ruby Lee Ryder provide a sweet approximation of Terror Danjah€™s attempts to spearhead the musical concept of rhythm and grime (or r€™n€™b, natch), best exhibited outside of Danjah€™s ouvre by the vocal tracks on Bristolian producer Guido€™s excellent 2010 LP Anidea. Penultimate track €˜€˜Moschino€™s€™€™ gloopy bass stabs and slamming drums provide a satisfyingly brutalist end-point before €˜€˜Dark Crawler Outro€™€™ book-ends the album with the final iteration of Dark Crawler€™s titular instrumental refrain.
Contributor

Darren Millard is an aspiring journalist and music devotee. Needs someone to help him understand Ableton. Also, life.