10 Things We Learned From Twin Peaks: The Return Part 7
2. The Dougie Jones Arc Pays Off
We have seen glimpses of the old Agent Cooper within the Dougie Jones vessel.
At first, it seemed his casino success was guided by the Black Lodge avatars hovering above the slot machines. On reflection, it was a shallow reading. Subsequent scenes indicated that the special effects were as much a visualisation of his intuition than a beacon to blindly follow. A green light hovered over Anthony Sinclair's face, leading Cooper to instinctively deduce that his sinister colleague was deep in insurance fraud. Cooper was subsequently able to connect his name to the fraud directly with a series of scribbles on the case files handed to him in Part 5.
Here, in a scene that justified the Dougie Jones arc with uplifting, fist-pumping catharsis, the old Cooper - the preternaturally gifted lawman - truly returned, if only for a brief, completely rewarding payoff.
As he left work for the day, with wife Janey-E in tow, he saw Ike The Spike emerge from the crowd, gun in outstretched hand. Instantly, instinctively, he pushed Janey-E out of harm's way - before she recollected herself to get some digs in of her own - and disarmed him before striking him in the throat. A wave of nostalgia crashed down, but it was distilled into a fresher, braver context - an apt metaphor for the series as a whole.
It was glorious, if (and because) it was fleeting. Those still dismayed by Dougie were at least assuaged when his heroics were filmed - possibly there to be seen by a face from his past.