5 Reasons To Immerse Yourself in the Game of Thrones Universe

4. Heroes, Villains and Everything In-Between

Think about the people you know. How many of them are totally flawless? How many don€™t have even a single virtue? Chances are that most of your acquaintances fall somewhere in the middle of the Good and Evil spectrum (hopefully, somewhat more towards the €˜good€™ side.) Since I€™ve already mentioned Lord of the Rings (which is, to all extents and purposes, the giant to topple when one is talking about fantasy,) I€™d like to take the character of Gollum as an example. I€™m fairly certain that I€™m not alone in my appreciation of the character, and I would argue that in Tolkien€™s world - which contains so many purely good and evil characters - it€™s those who reside on the line between the two extremes that are the most interesting (Boromir being another example). The Game of Thrones universe takes moral ambiguity, and amplifies it far beyond what we€™ve seen in previous fantasy works. There is no €˜black€™ and €˜white€™; there are only varying degrees of grey. A strength of the series is that it does not begin that way. You start, almost exclusively, taking the side of the Starks. It€™s easy to mistake them for the protagonists, but as events unfold your loyalties may slowly shift. It€™s not that the Starks suddenly act in a different or uncharacteristic way €“ it€™s that you gradually understand the motivations of their enemies. And so you find yourself, as a viewer, in quite an unusual situation - you€™re watching a conflict unfold, and you€™re unsure who you should root for. Normally this would only apply when you€™re not engaged by the characters, but in this case it€™s the opposite €“ you€™re too deeply engaged with all of them. It€™s not unlike watching two of your friends have an argument, and understanding both of their points of view €“ because neither is being unreasonable. One feels that this has been the case in the majority of the struggles that humanity has been involved in throughout the ages, and it€™s nice to see it reflected for once in a genre which is usually so reductionist. The lack of moral absolutes is a strength of GoT, and has a knock-on effect...
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Contributor

Laurence Gardner was born in Canterbury, England. After moving around various cities during his childhood, and spending some time travelling in Europe and America, he studied English Literature at Oxford University. Since then, he’s been living abroad, teaching English, learning a range of languages, and writing in his free time. He can currently be found in Heidelberg, working as an English Tutor and Translator and studying at the University. If you liked this article, follow him on Twitter to get automatic updates on his work.