8 Ways Star Trek Just Isn't Star Trek Anymore

7. It's More Accommodating To Newer Audiences

Paramount

By far the most frustrating thing about criticism directed towards modern Trek - and, to that end, other franchises too - is that they've been 'diluted' by attempts to appeal to a broader market, as if having more people enjoy the thing you also love could ever be a bad thing.

The point is that this more stylised, more representative Trek, doesn't just follow in the footsteps of TOS (particularly in relation to its attempts to represent marginalised groups), but goes one further in trying to broaden the franchise's demographic. A name as big as Star Trek can't subsist entirely on an ageing fandom, and while nostalgia is definitely the 'in' thing right now, there's a balance to achieve in getting it right.

Paramount's films (Into Darkness aside), were exemplary in getting that aspect across. JJ Abrams' original 2009 effort rooted its science squarely in classic Trek by introducing a timeline concurrent to the mainstream one, and Beyond - the third film in that series - continued down that path by emulating the bridge dynamic of the original Enterprise crew.

The difference is that there's more action to roll in with the science, and while that does set the modern shows and films apart from those older incarnations, it's a modernising process Star Trek couldn't afford to shirk.

Yes, it's not the old show, but to say it's abandoned its own identity is just blatantly dishonest.

Advertisement
Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.