9 Huge TV Industry Ramifications Of Ripper Street's Amazon Instant Video Resurrection
2. Bigger Budgets
Will collaborative funding schemes ultimately lead to an increased budget for resurrected or co-funded original shows? Were currently seeing a new cinematic approach to television - look at the big budget US shows from Boardwalk Empire to Game Of Thrones. The sizeable budgets of cable heavy weights necessitates budget increases - or enhanced creativity - from free to view channels if they are to compete in terms of both visuals and quality. This goes for original series from on-demand providers like Netflix and Amazon Instant Video too. Its widely reported Netflix invested $100 million in its 26 episode reboot of 1990s series House Of Cards. The result was a feature film style and the first Primetime Emmy nominations for an original online television show. Meanwhile Arrested Development was awarded a bigger budget as Netflix outbid Showtime that reached a reported $3 million per episode. Yet the success of Arrested Developments stars during the shows off-air years produced an unfortunate squeeze effect on the show. On the whole, it seems unlikely that resurrected shows will attract large budget increases. Given the role of falling ratings on show cancellation, it would be a pretty big punt to boost those series original budgets further. If this were to happen, we might also question the impact of this budget increase on a shows focus and direction. In the case of Ripper Street its already reported that budgets will remain at around the same level as pre-cancellation. Yet, if we were to see collaborations on entirely original series, this could be a different ball game altogether. Could we see such collaborative ventures match the big budget cable channels that have given us True Detective and Boardwalk Empire? It would be an exciting prospect if we did.
A freelance features writer and online film critic, Natalie idolises screen writers from Terrence Winter to Larry David and Wes Anderson. Her favourite movies include Beasts Of The Southern Wild, 21 Grams and Alfred Hitchcock's Rebecca, while her guilty pleasures range from nineties teen flick Clueless to Jurassic Park and pre-Darcy, Colin Firth movie, Valmont. Please don't judge.
Natalie is currently enjoying television's renaissance in Boardwalk Empire, True Detective, The Newsroom and Veep but still has a soft spot for The X-Files and Seinfeld.